Filmmaking Stuff - How To Make, Market and Sell Your Movie

Make Your Movie Now

Jason Brubaker, Indie Flimmaker, brings you this eBook guide to help you make your movie now without any procrastination. This guide gives you all of the tools that you need to in order to raise the money, finalize your story, and make the money that you deserve to get from your art. You will also learn how to build an audience for your professional quality movie. Hollywood is not the future of movies Independent filmmakers are starting to take over more and more of the market, and you have the opportunity to make your mark on the film world forever. Jason Brubaker's eBook shows you what you need to know in order to make a masterpiece film that your audience (that you will learn to build) will shell out money to buy. You don't need permission to make a film Go out and dazzle audiences everywhere! Continue reading...

Make Your Movie Now Summary


4.6 stars out of 11 votes

Contents: Ebook
Author: Jason Brubaker
Official Website:
Price: $10.00

Access Now

My Make Your Movie Now Review

Highly Recommended

The author has done a thorough research even about the obscure and minor details related to the subject area. And also facts weren’t just dumped, but presented in an interesting manner.

Purchasing this book was one of the best decisions I have made, since it is worth every penny I invested on it. I highly recommend this to everyone out there.

Make Independent Films

This eBook gives you the tools that you need to make an indie film of your own, on a low budget and still make money! Most film schools and colleges teach only an academic version of what you need to know to make movies, but this information is rarely useful in real life. Outside of the classroom, you often will not be able to use the information that your professors gave you. That's why this eBook is the street-smart version of movie making, and gives you the tools that you need to make a movie on a low-budget, without having to make a low-quality movie. You don't have to make a bad movie You just have to learn how to manage money well! You can learn a little bit from professors and film school But you can learn huge amounts of information from independent filmmakers. These men and women are the way of the future for movies, and you can learn to make a film that will take the hearts of people and film festivals everywhere. Continue reading...

Make A Movie With A Very Low Budget Summary

Contents: Ebook
Author: Michael Connelly
Official Website:
Price: $9.95

The action or narrative paragraph that follows the slugline Example

Off-Screen Dialogue (O.S.) - Similarly, when we hear someone speaking from offscreen, write (O.S.) next to their name. They may be in the next room, throwing their two cents into the conversation it could be a ghost, or the voice of God. Here's an example of what this looks like, and the difference between the narrator (in this case Will, in voice-over) and someone speaking off screen (in this case Josh, who isn't in the first shot we have of Will, but whose voice we hear, and then we see). This scene is from an independent film I was hired to rewrite, entitled TAR. And please, ignore my camera direction (PULL BACK). I can get away with this you can't.

Outlineindex Card Approach

Suddenly you find yourself with a stack of index cards - in fact you may have even added some scenes to the original outline. This is good - the longer you spend inside your screen story, the more real it becomes, and the more fully you can imagine your movie. In fact, it is a good idea here to take a moment (or an hour) and review the order of your scenes, now that you have more detail. Does this order still make sense Can you fill in some of those missing scenes Make your changes before you begin writing the script.

What do I want to write about

Sometimes I have mentioned the differences and similarities between writing and filmmaking. I do it to emphasize technique and also because we have a very visually oriented society. Many more people rent videos each night than check books out of the library. The camera concept can help you, as the author, to understand what you are portraying to the reader, especially in our first area of perspective or point of view in Chapter 11.

Plot Points

Begin imagining, much less writing, the scenes to your movie. And while plot points can change during the writing process, and you may eventually decide to take a different road leading to your goal, you've got to start with what you think is the right route to begin your journey. 9. Is he willing to risk death to get what he wants The events that occur force him to make choices that are the only choices he can make, but by which he'll appear to lose everything. This is the climax of your film with no certainty of success, in fact with certainty of failure, the hero risks everything. This is where the hero tells the truth (literal, emotional or spiritual), and takes the consequences. Turn your movie idea into a fairy tale, by

Choosing Your Story

Please note if, after doing the above exercise, you're still not sure whether you have a movie premise, or which is the most compelling of your movie ideas, you can always email me at sandy for a QuickPitch appointment, and pitch your ideas to me over the phone. The service is free, and if you're nervous about divulging what may be a unique idea, you can fill out and send a release form before our appointment. A release form can be found at the end of this book.

The Climax

With this in mind, let's talk about the climax of your story. The climax is the highest point of drama in your structure. It is where all of the scenes must lead throughout your story. Finding the ending of your story is the first thing to do. The ending of your screenplay is known as the climax. After the climax your story should be finished and can't go any further. Your screenplay is complete and if you keep writing then your writing becomes anticlimactic, which means you've written too much and you have no resolution for your screenplay. Your audience should leave your movie feeling emotionally satisfied. If your audience doesn't have a sense of closure in the climax your script is a failure.

Act II he Exposition

In Act I you also introduce the main and major characters of your film. This problem will take the rest of the movie to solve. The audience must immediately know what your movie is about or they will lose interest. They should understand what's going on and care about the problem confronting the main character. I always tell my students to ask themselves when they open their screenplay Why is this day in the life of my character different from any other day in his life

Hooking the Audience

You must hook or grab your audience in the first few minutes. What I mean by hooking your audience is to get their attention immediately. In the television industry there are many competing networks, cable stations and independents vying for viewers. If you can grab your viewers' attention and hold it through commercials until your movie is over you will have written a good script.

Film Making

Film Making

If you have ever wanted the secrets to making your own film, here it is: Indy Film Insider Tips And Basics To Film Making. Have you ever wanted to make your own film? Is there a story you want to tell? You might even think that this is impossible. Studios make films, not the little guy. This is probably what you tell yourself. Do you watch films with more than a casual eye? You probably want to know how they were able to get perfect lighting in your favorite scene, or how to write a professional screenplay.

Get My Free Ebook